Daniel_Cheung
11-13-2008, 01:58 PM
Michael Allen Gillespie, The Theological Origins of Modernity, University of Chicago Press, 2008, 386pp., $35.00 (hbk), ISBN 9780226293455.
University of Notre Dame / Uganda Martyrs University, Nkozi
Reviewed by David Burrell, C.S.C., University of Notre Dame/Uganda Martyrs University, Nkozi
http://ndpr.nd.edu/review.cfm?id=14665
This massively erudite study offers an alterative genealogy of "modernity," showing it to be a sustained attempt to re-cast the created world in a new key, once the metaphysical idiom had shifted from "scholasticism" to "nominalism." Gillespie challenges the standard account, which focuses on the religious wars of the seventeenth century to trigger a set of strategies we call "modern," inaugurated as ploys to circumvent and neutralize "religion" or "faith," so as to clear a way to understand the universe more straightforwardly. His elaborately constructed case proposes to show how intractable controversies in philosophical theology helped to shape the goals of that more straightforward understanding of nature, though not the disparate paths proposed to attain that understanding. The details of the case instruct us well in the "history of ideas," allowing us to become philosophically engaged as dialectical oppositions emerge and meet. His story opens in Avignon with a brief chance encounter of William of Ockham, Francesco Petrarch, and Meister Eckhart after Sunday mass (1, 43). In different ways, these three presage the emergence of alternatives to "scholastic realism," each shaped by the novel metaphysical mode of "nominalism." But let us outline the story before scrutinizing what these abstract names portend for the author, and the ways he wishes to put them into play...
University of Notre Dame / Uganda Martyrs University, Nkozi
Reviewed by David Burrell, C.S.C., University of Notre Dame/Uganda Martyrs University, Nkozi
http://ndpr.nd.edu/review.cfm?id=14665
This massively erudite study offers an alterative genealogy of "modernity," showing it to be a sustained attempt to re-cast the created world in a new key, once the metaphysical idiom had shifted from "scholasticism" to "nominalism." Gillespie challenges the standard account, which focuses on the religious wars of the seventeenth century to trigger a set of strategies we call "modern," inaugurated as ploys to circumvent and neutralize "religion" or "faith," so as to clear a way to understand the universe more straightforwardly. His elaborately constructed case proposes to show how intractable controversies in philosophical theology helped to shape the goals of that more straightforward understanding of nature, though not the disparate paths proposed to attain that understanding. The details of the case instruct us well in the "history of ideas," allowing us to become philosophically engaged as dialectical oppositions emerge and meet. His story opens in Avignon with a brief chance encounter of William of Ockham, Francesco Petrarch, and Meister Eckhart after Sunday mass (1, 43). In different ways, these three presage the emergence of alternatives to "scholastic realism," each shaped by the novel metaphysical mode of "nominalism." But let us outline the story before scrutinizing what these abstract names portend for the author, and the ways he wishes to put them into play...